Arrogant, contradictory, outrageous, Da Ponte’s Don Giovanni can be found attempting to seduce a woman and then killing her father, flirting with a stranger he has already met and abandoned, hosting a wedding feast only to pursue the bride. Swearing himself to one woman one moment and serenading her serving girl the next, the Don is unbridled, uninhibited: he embodies the immediacy of desire. Then again, he plots and schemes—he swaps his cloak with his servant, slips into rooms to avoid detection, arranges a whole feast to separate a bride from her groom. How indiscriminate, unintentional can…
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